sue.k. sculpture

 
At the moment she commenced her first class, Sculpture 100, at Clarmont School of Art, sue.k. fell under the spell of three-dimensional space. Without the constraints of the frame and flatness of the pictorial plane art came alive in a way that was never imagined by her previously. Below are a select few of the many sculptures produced by the artist during her career.
  

 

         

Hot off the press and yet to be exhibited
(2012)

left:
When I was Three or Four, says Suzanne
(side view)

Medium:
Wire armature, wax, jute, feathers, pine, cast iron metal, fibreglass resin, glass, oil paint, asphalt

Size:
600mm, 190mm, 190mm

price:
P.O.A.

 

   
far left:
When I was Three or Four, says Suzanne
(back/side view)

left:
When I was Three or Four, says Suzanne
(side view)
   

far left:
When I was Three or Four, says Suzanne
(back/side close-up view)

left:
When I was Three or Four, says Suzanne
(side close-up view)
     

left:
Harlequin Queen
(side/back view)

Medium:
Wire armature, wax, hessian, jute string, feathers, plywood, metal, fibreglass resin, glass, ceramic, acrylic paint, asphalt

Size:
460mm, 300mm, 265mm

price:
P.O.A.
   
far left:
Harlequin Queen
(side view)

left:
Harlequin Queen
(side view)
   

far left:
Harlequin Queen
(back view)

left:
Harlequin Queen
(front view)
     
 
         

Private Commission
(2009)
left:
H.A.R.vesting R.Y.e
(front view)

Medium:
Wire armature, wax, hessian, paper, wood, feathers, cotton wool, plastic.
   
far left:
H.A.R.vesting R.Y.e
(back view)

left:
H.A.R.vesting R.Y.e
(side view)
   
 
         
Private Commission.
(1995)



left:
The Photographer
(below view)

Medium:
Wire armature, hessian, plaster, jute, crockery, camera lens, mirror, oil paint.
     
far left:
The Photographer
(behind view)

left:
The Photographer
(front view)

Medium:
Wire armature, hessian, plaster, jute, crockery, camera lens, mirror, oil paint.
         
 
         

Shown as part of

A wet fish and
The romance
(1995)

Exhibited:
August 1995
Perth Galleries, Perth, Australia.




 

 
far left:
From the Frying Pan to the Fire (overhead view)

left:
From the Frying Pan to the Fire (side view)

purchased by the Kerry Stokes Collection.

Medium:
Wire armature, hessian, plaster, jute, oil paint, human hair.
     
far left:
Dishpan Hands

left:
Growing Old


Medium:
Wire armature, hessian, plaster, jute, oil paint, wood, glass.
 
 
left:
Hooked On

Medium:
Wire armature, hessian, oil paint, wood, metal hooks.
     

 

 

 

 

far left:
It's All Your Fault

left:
Crying Over Spilt Milk

Medium:
Wire armature, papier mache, wood, jute, copper sheeting, hessian, oil paint.
       

 

 

return to main page

 

page last updated 4 February, 2012